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A graph of fretboard radius (r) over the length of fretboard (x). Possible curves are: Flat fretboard, radius is infinite; Cylindrical fretboard, radius is constant; Conical fretboard, radius changes linearly; Compound fretboard, radius changes non-linearly and may go to infinity; Date: 17 January 2007: Source: Own work: Author: GreyCat ...
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
A Brief History Of Discovering The Conical Fingerboard in 1978 by luthier Denny Rauen can be found in American Lutherie #8/Winter 1986 and String Instrument Craftsman May/June 1988 under the title "Multi-Radius Fingerboards". This special radiusing is a standard on many of Denny's custom-built guitars and refret work beginning in 1978.
From its introduction in 1922–23 to the 1940s, the L-5 came in different configurations (all strictly acoustic): Type one 16" - As it first appeared when originally introduced in Gibson's price list (April 1923), the L-5 sported a 16" body with a Cremona brown finish, birch or maple sides, a single-bound, 20-fret fingerboard with a pointed end, dot inlays, a slanted "The Gibson" script logo ...
The fretboard (also called the fingerboard) is a piece of wood embedded with metal frets that constitutes the top of the neck. It is flat or slightly curved. It is flat or slightly curved. The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes ...
The Player Jaguar Bass sports a koto body, an unbound C-shaped maple neck, maple fretboard with 9.5-inch radius, black block inlays and 20 jumbo frets, three-ply parchment pickguard, Player PJ pickups, three Jazz Bass control knobs (neck volume, bridge volume, master tone), vintage-style four-saddle bridge with brass saddles, open-gear tuners ...
The 325 was designed by Roger Rossmeisl, a guitar craftsman from a family of German instrument makers.Production models had a 20 + 3 ⁄ 4-inch (530 mm) short scale, dot fretboard inlays, and a small (12 + 3 ⁄ 4-inch-wide [320 mm]) body.
[7] [8] All of Vaughan's guitars had a neck relief of approximately .012" at the 7th and 9th frets, and leveled out through the remainder of the fingerboard. The fingerboard radius of "Number One" when new would have been 7.25" like most Fender instruments made before the 1980s, [9] but after refretting the fingerboard multiple times the radius ...