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While the standard tuning for open strings of the violin is GDAE—with the G being the tuning of the lowest-pitched string and the E being the tuning for the highest-pitched string—fiddlers playing tunes in the key of D major sometimes employ a tuning of ADAE. In this tuning the open G string is raised to the A directly above it.
A Baroque violin is a violin set up in the manner of the baroque ... It can be fitted with a viola E string and tuned to GDAE and played in the same way as a violin.
The violin, sometimes referred as a fiddle, [a] is a wooden chordophone, ... Many old-time pieces call for cross-tuning, or using tunings other than standard GDAE.
However, he "converted it to a four-string instrument," maintaining the mandolin and violin scale length and tuning (GDAE). [ 2 ] Banjo hybrids normally take their names from the Banjo- prefix, and then the second half of the other instrument's name, such as banjocello , banjo guitar , and banjo ukulele which implies the banjolin is a sort of ...
A soviet-made 4 string Ukrainian Domra Domra (left) and Bandola Llanera (right). The basic domra is tuned as follows: Three strings: EAD tuning. Four strings: GDAE tuning (like the mandolin or the violin)
Barney used GDAE tuning on a 17-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music. Barney McKenna
For instance, eclectic rocker Natalie Stovall, [9] a graduate of Berkelee Conservatory, [10] covers Led Zeppelin, AC/DC, Michael Jackson, Lenny Kravitz, The White Stripes, Lynyrd Skynyrd, Jimi Hendrix, all the while alternating between standard rock vocals and fiddle/violin riffs. [11] Other rock fiddle or violin players include
A Stradivarius bow, The King Charles IV Violin Bow attributed to the Stradivari Workshop, is currently in the collection of the National Music Museum Object number: 04882, at the University of South Dakota in Vermillion, South Dakota. The Rawlins Gallery violin bow, NMM 4882, is attributed to the workshop of Antonio Stradivari, Cremona, c. 1700 ...