Search results
Results From The WOW.Com Content Network
William Hoarth: Strolling Actresses Dressing in a Barn Die Neuberin (Neuer Theater-Almanach, 1898) Until the 18th century, women's roles were still played by men. Under Magister Velthen, the first actresses were employed in Germany. To show that they were suited to being an actor, the women also appeared in male roles.
Changes in theater design complemented the new lighting. Early 17th century theater-houses, which were often converted tennis courts, were not conducive to creating the illusion of a single vantage point on the stage. Instead, the boxes often faced each other and an audience member in the parterre would be equally comfortable looking into the ...
According to a 15th century Italian manuscript biography, later published by 18th century historian Ludovico Antonio Muratori (1672 – 1750), the Italian humanist author, artist Leon Battista Alberti (1404 – 1472) created wonderful painted pictures exhibited inside a box with a small aperture. He had two kinds: night scenes with the moon and ...
The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period, defined by the amount of money, time, sets, and performers it required to be produced. Productions attracted audiences with elaborate action, acrobatics, dance, costume, scenery , illusionistic painting , trapdoors , and fireworks .
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The Emery Theatre fell into disuse around the turn of the 21st century, but historic restoration began early 2024 by The Children's Theater of Cincinnati. The restoration of the theatre will allow seating for approximately 1,600 guests including combining the segregated levels and making the theater ADA accessible for artist and viewer alike.
17th; 18th; 19th; 20th; 21st; 22nd; Subcategories. ... 17th-century theatre managers (28 P) T. Theatres completed in the 17th century (31 C) Pages in category "17th ...
During the reign of Elizabeth I (1558–1603) and then James I (1603–25), in the late 16th and early 17th century, a London-centred culture, that was both courtly and popular, produced great poetry and drama. The English playwrights were intrigued by Italian model: a conspicuous community of Italian actors had settled in London.