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Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
Satwikābhinaya- Guru Maani Madhava Chakkiyar as Ravana (kathi vesham) in Kutiyattam. The second chapter Paribhashapakarana gives the names and descriptions of different types of narration, enacting, characters, their languages, characteristic features etc.
Padmanabhan Nair has co-authored a book on his father-guru Pattikkamthodi. But his more weighty works are Kathakali Vesham (1980) and Cholliyattam (2000), both two-volume tomes that deal with the grammar and aesthetics of classical storyplays in the highly evolved Kalluvazhi school of Kathakali of north-central Kerala.
Kalamandalam Vasu Pisharody. Kalamandalam Vasu Pisharody (15 August 1943 – 1 December 2022) was an Indian Kathakali actor known for his classical dance-drama of Kerala. [1] A frontline disciple of Padma Shri Vazhenkada Kunchu Nair, he exceled in virtuous pachcha, anti-hero Kathi and the semi-realistic minukku roles alike.
His achievements as a Kathakali actor are due to the sincere discipline of Kalamandalam Krishnan Nair. [ 1 ] An expert in both Pacha and Kathi roles in kathakali, his Kathi roles as Duryodhana , Kichaka and Ravana characters in the stories of Duryodhana Vadham , Uttarasvayamvaram and Nizhal kuthu are famous. [ 1 ]
Gopi is known for the romantic and dramatic portrayal of the virtuous pachcha roles in Kathakali, notable among them being Nalan, Karnan and Rukmangadan.He has also played the choreographically denser roles of Bheeman (in the stories Kalyanasougandhikam or Bakavadham), Arjuna (Subhadraharanam) and Dharmaputrar (that's Yudhishthira in Kirmeeravadham).
Similarly, in the Koratty style, Darika's mudi resembles the Kathakali crown and his face paint the Kathi Veshas of Kathakali. This points to how the two forms have become interlinked even though Mudiyettu predates Kathakali, with epigraphists tracing its evolution as an art to even the 9th or 10th century AD.
The centre offers courses in Kathakali vesham, Kathakali music, Kathakali chenda, Kathakali maddalam, Kathakali chutty, Koppupani (crafting of accessories & other costumes), Classical music, Violin, Bharathanatyam, Mohiniattam and Kuchipudi.