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Program for premiere of Bertolt Brecht's first produced play, the "comedy in five acts", Drums in the Night, Munich Kammerspiele, starring Erwin Faber in the role of Andreas Kragler, Sept 29, 1922. Drums in the Night, a "Comedy in Five Acts by Bertolt Brecht", was given its premiere at the Munich Kammerspiele, opening on 29 September 1922.
Pages in category "Plays by Bertolt Brecht" The following 52 pages are in this category, out of 52 total. This list may not reflect recent changes. A.
Trommeln in der Nacht (1918–20/1922), by Bertolt Brecht Torquato Tasso (1790), by Johann Wolfgang von Goethe Turandot, Prinzessin von China (1801), by Friedrich Schiller
Brecht, in his typical anti-realist style, uses the device of a "play within a play".The "frame" play is set in the Soviet Union around the end of the Second World War.It shows a dispute between two communes, the Collective Fruit Farm Galinsk fruit growing commune and the Collective Goat Farmers, over who is to own and manage an area of farm land after the Nazis have retreated from a village ...
It was the first premiere of Brecht's final season at the Berliner Ensemble. [3] Willett identifies an instance of Brecht's lifelong indebtedness to Rudyard Kipling in the play's "Song of the Women of Gaa." [4] The production strongly influenced the English director William Gaskill's reinterpretation of Farquhar's original play for the National ...
The 1978 American premiere of Bertolt Brecht's 1926 play Downfall of the Egotist Johann Fatzer took place November 9, 1978, Off-Broadway at the Shelter West Theatre Company. It was directed by W. Stuart McDowell, then Artistic Director of the Riverside Shakespeare Company of New York, where McDowell subsequently staged the New York premiere of ...
Along with its companion, the radio cantata Lindbergh's Flight, the piece was offered as an example of a new genre, "the teaching-play or Lehrstück", in which the traditional division between actor and audience is abolished; the piece is intended for its participants only [5] (Brecht specifically including the film makers and clowns along with ...
In the current publication, the Arcade edition was translated from Brecht's final revision in 1954 by Gerhard Nellhaus (and by Brecht himself, who made his own English version of the first scene). The Bentley translation is based on public domain material of 1926, many years before Brecht finished revising the play. [5]