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"Pelts" is the sixth episode of the second season of Masters of Horror, first aired on 1 December 2006. The director is Dario Argento, and it based on a short story by F. Paul Wilson. The film is a story about supernaturally beautiful raccoon pelts (called "pine lights") that cause anyone who seeks to profit by them to commit horrendous acts.
The show followed an anthology series format, with each episode featuring a one-hour film directed by a well-known horror film director. In 2009, Chiller began airing the show on their Sunday evening line-up of shows, and in 2010, Reelz Channel began airing episodes of Masters of Horror edited (despite keeping its TV-MA rating) and with ...
The film is written by C. Courtney Joyner and directed by Ted Nicolaou. The film stars Corey Feldman as the great-grandnephew of André Toulon and Vanessa Angel as the head of a toymaking factory who plans to dominate the world using its latest line of holiday products. It was a made-for-TV film that debuted December 18, 2004 on NBC Universal's ...
"H. P. Lovecraft's Dreams in the Witch-House" is the second episode of the first season of Masters of Horror, directed by Stuart Gordon. It is adapted from the short story "The Dreams in the Witch House" by American horror author H. P. Lovecraft. It originally aired in North America on November 4, 2005.
"Homecoming" is the sixth episode of the first season of Masters of Horror. It originally aired in North America on December 2, 2005. It is loosely based on the 2002 short story "Death & Suffrage" by Dale Bailey. [1]
The episode premiered on Showtime on January 19, 2007; it was released on DVD July 17 of the same year. Reviews were generally positive; Brett Gallman of Oh, The Horror called it "a well-wrought little yarn that marries the short film format to the original story in an admirable fashion," and "a neat film that attempts to understand the demons that spoke to Poe: his insecurities, his paranoia ...
Considered to be a "deliberately and spectacularly transgressive director whose work is lionized by a substantial share of the young generation of Internet critics and horror film fans, while routinely rejected as repulsively sadistic by much of the mainstream media", [1] Miike crafted "Imprint" based on the novel "Bokke e, kyōtē", by Shimako ...
[1] [2] [3] The period began in the early 2010s with the release of various financially and critically successful horror films, including Insidious, Sinister, and The Conjuring. [1] This period also include the rise of plenty of horror directors, including female directors like Jennifer Kent of The Babadook or Karyn Kusama of The Invitation. [4]