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Popular patterns included, tulips, vines, geometric shapes, mosquito larvae, fruits and vegetables. The fretworks were made by using both perforated and carved woods. Most artisans were local and Chinese that made the fretwork locally, but some of the gingerbread trim was made in Bangkok and shipped to construction sites. [30] [32]
Fretwork is an interlaced decorative design that is either carved in low relief on a solid background, or cut out with a fretsaw, coping saw, jigsaw or scroll saw. Most fretwork patterns are geometric in design. The materials most commonly used are wood and metal. [1] Fretwork is used to adorn furniture and musical instruments.
The Victorian period, generally aligned with the reign of Queen Victoria, covers the period from c. 1840 to c. 1890 and comprises fifteen styles, all prefaced by the word "Victorian", and are namely, in loose chronological order, Georgian, Regency, Egyptian, Academic Classical, Free Classical, Filigree, Mannerist, Second Empire, Italianate, Romanesque, Byzantine, Academic Gothic, Free Gothic ...
Free-standing, set back, double-storey Victorian house with double-storey verandah. Low-pith saddle roof with high chimney at each end. Wall has plaster corner quoins and architraves. Double-storey verandah of wood with hipped bullnose roof, fretwork f Architectural style: Victorian. Type of site: House Current use: Residential.
In the fretwork outside the room over the balcony are animal and amorphous shapes cut into the wood. In the center is a cutout of what is presumably the head of Mrs. O'Leary's cow. During the Spring and Fall Equinoxes the patterns are projected by sunlight onto the floor through the glass.
Late Victorian Style homes had perhaps the most decorative features in all of the known architectural styles to date, which is often referred to as Boom Style. Towards the end of the Victorian era, timber fretwork was being used more and more, which led into the Edwardian/Federation Styles.
A fine example of a Victorian Free Classical terrace is Drummond Terrace (1890–91), Carlton, designed by Walter Scott Law, whose facade is dominated by a three tiered colonnaded arcade. [ 156 ] Often, terraces built in the Victorian Classical style directly alluded to the grand rows of Neoclassical terraces of Georgian era England.
The style often used Tudor-style woodwork and elaborate fretwork that replaced the Victorian taste for wrought iron. Verandahs were usually a feature, as were the image of the rising sun and Australian wildlife; plus circular windows, turrets and towers with conical or pyramid-shaped roofs.