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In this sense, the opening chord is a decoy; as musicologist Alan Pollack points out, the home key (F major) has little time to establish itself before "heading towards the relative D minor". [23] He points out that this diversion is a compositional device commonly used by Lennon and McCartney, which he describes as "deferred gratification". [23]
The "You know" involves F ♯ –D ♯ melody notes against a I (D chord). A point of interest is the raised A melody note against a D/F ♯ chord on "name", "three" and "name". [ 7 ] A significant moment is the Tonicization of the dominant with the use of vii o 7 /V chord (G ♯ dim) as part of the progression to V 7 (A 7 chord on "You know my ...
An interesting feature is the suitably "blissful" modulation (on "Well, well, well, you're feeling fine") [19] to the key of B on the bridge via an F ♯ 7 pivot chord (VI 7 in the old key of A and V 7 in the new key of B). [20] The extended jam that lasts 43 seconds at the end was recorded, but it was removed and replaced with a fade-out.
On his A Life in Lyrics podcast, in which the legendary Beatles musician regales listeners with the stories behind some of his most famous songs, McCartney, 81, said he believes the lyric was ...
Yesterday and Today (also rendered as "Yesterday" ... and Today in part of the original packaging) [4] is a studio album by the English rock band the Beatles.Released in the United States and Canada in June 1966, it was their ninth album issued on Capitol Records and twelfth American release overall.
The song is notated mainly in the key of E ♭ major, [6] showing up embellished chords with jazzy sprinkled dissonances. The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in "Two of Us". Though the bridge is in the key of F major, the manner in which it ...
Although he considers that McCartney "comes off third-string" to Lennon and Harrison, Plagenhoef defends the album's subtle mood; highlighting the influence of cannabis on the Beatles throughout 1965, he writes: "With its patient pace and languid tones, Rubber Soul is an altogether much more mellow record than anything the Beatles had done ...
"I've Just Seen a Face" is in the key of A major and is in 2/2 (). [20] [21] [note 3] The song begins with a ten measure intro. [20]Split into three phrases, [20] the intro uses triplets that are slower than the rest of the song to create a sense of acceleration, [23] reinforced by a shortened third phrase which quickens the first verse's arrival. [20]