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Kutune Shirka, sacred yukar epic of the Ainu people of which several translations exist; Lay of Mouse-fate (Musurdvitha), a fantasy epic inspired by animal fable and Arthurian legend. Mu'allaqat, Arabic poems written by seven poets in Classical Arabic, these poems are very similar to epic poems and specially the poem of Antarah ibn Shaddad
Biag ni Lam-Ang (Life of Lam-Ang), an epic of the Ilocano of northern Luzon, the Philippines; Ibalong Epic, a 60-stanza fragment of a Bicolano full-length folk epic of Bicol Region of the Philippines. Hinilawod, an epic of the Panay-Bukidnons of Panay, the Visayas, central Philippines. Darangen, an epic of the Maranao of Mindanao, the Philippines.
An epic is not limited to the traditional medium of oral poetry, but has expanded to include modern mediums including film, theater, television shows, novels, and video games. [1] The use of epic as a genre, specifically for epic poetry, dates back millennia, all the way to the Epic of Gilgamesh, widely agreed to be the first epic. But critique ...
In The Faerie Queene, the list of trees I.i.8–9. In Paradise Lost, the list of demons in Book I. [20] In the Aeneid, the list of enemies the Trojans find in Etruria (Central Italy) in Book VII. Also, the list of ships in Book X. [21] In the Iliad, [22] the Catalogue of Ships, the most famous epic catalogue, and the Trojan Battle Order
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Andrei Belyanin's Sword with No Name; Hans Bemmann's The Enchanted trilogy; K. J. Bishop's The Etched City; Elizabeth H. Boyer's World of the Alfar, Wizard's War, and Skyla series; Marion Zimmer Bradley's [6] The Mists of Avalon [4] Gillian Bradshaw's Arthurian trilogy (Hawk of May, Kingdom of Summer, In Winter's Shadow) [4]
At 3182 lines, it is notable for its length. It has risen to national epic status in England. [3] Beowulf has been adapted many times in verse, in prose, on the stage, and in film. In 2003, the Arizona Center for Medieval and Renaissance Studies published Marijane Osborn's annotated list of over 300 translations and adaptations, withdrawn in ...
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