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Light-Water: a Mosaic of Meditations is a "hypermedia work" [1] that utilizes and layers images and poetry to "create a striking experience of poetic meditation." [2] Created by Christy Sheffield Sanford in 1999, [3] [4] the work consists of ten poems that produce a "visual-literal meditation on light and water."
The poem is named by the first characters of the first poem, suishoku rankÅ, a phrase that can be literally translated as “hue of the water, light on the peaks.” [29] Again this connection highlights the importance of “reading” the composition as one piece of art, instead of multiple pieces of art painting, poetry, and calligraphy. The ...
"There's a certain Slant of light" is a lyrical poem written by the American poet Emily Dickinson (December 10, 1830 – May 15, 1886). The poem's speaker likens winter sunlight to cathedral music, and considers the spiritual effects of the light.
In Chan poetry, images as simple as the moon, clouds, boats, reflections in water, plum and lotus, bamboo and pine took on complex connotations based in Chan ideas, famous verbal exchanges, and Chan and Buddhist texts. [37] To exemplify the use of specialized Buddhist metaphor, this well-known poem by Hanshan (Tang Dynasty) will suffice:
From about 1870 onwards, Massey became increasingly interested in Egyptology and the similarities that exist between ancient Egyptian mythology and the Gospel stories. He studied the extensive Egyptian records housed in the Assyrian and Egyptology section of the British Museum in London where he worked closely with the curator, Dr. Samuel Birch, and other leading Egyptologists of his day, even ...
She lectures on art and spirituality, the Christian imagination, poetry-writing, and journaling as an aid to artistic and spiritual growth. [ 5 ] She has published ten volumes of poetry (several still in print) and numerous non-fiction books, and has edited and collaborated on multiple other works, including several with Madeleine L'Engle . [ 6 ]
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Directly across the water, these images (and the direct imperative "Listen!") were to be later echoed by Matthew Arnold, an early admirer (with reservations) of "Intimations", in his poem "Dover Beach", but in a more subdued and melancholy vein, lamenting the loss of faith, and in what amounts to free verse rather than the tightly disciplined ...