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Neoclassical ballet is the style of 20th-century classical ballet exemplified by the works of George Balanchine. The term "neoclassical ballet" appears in the 1920s with Sergei Diaghilev 's Ballets Russes, in response to the excesses of romanticism and post-romantic modernism. [ 1 ]
There, with Kirstein as his partner, he founded the School of American Ballet in New York City. [4] During his time in Europe, Balanchine had begun to develop his neoclassical style, partially as a reaction to the Romantic anti-classicism that had led to increased theatricality in ballet. His style focused more on dance movement and ...
George Balanchine is often considered to have been the first pioneer of what is now known as neoclassical ballet, a style of dance between classical ballet and today's contemporary ballet. Tim Scholl, author of From Petipa to Balanchine, considers Balanchine's Apollo (1928) to be the first neoclassical ballet
Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique (such as pointe work , turnout of the legs, and high extensions), its flowing, precise movements, and its ethereal qualities.
Ballet Comique de la Reine - sometimes called the "first ballet" 17th century French ballet; Comédie-ballet; 18th century Baroque dance; Opéra-ballet; Ballet d'action; 19th century Classical ballet. Azerbaijani; British; French; Italian; Russian; Pre-romantic ballet; Romantic ballet; 20th century Modern ballet; Neoclassical ballet; Postmodern ...
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Scene from the ballet Swan Lake. A narrative ballet, also known as classical ballet or story ballet is a form of ballet that has a plot and characters. It is typically a production with full sets and costumes. It was an invention of the eighteenth century. [1] Most romantic and classical ballets of the 19th century were narrative ballets.
Romantic ballet was an artistic movement of classical ballet and several productions remain in the classical repertoire today. The Romantic era was marked by the emergence of pointe work, the dominance of female dancers, and longer, flowy tutus that attempt to exemplify softness and a delicate aura. [ 5 ]