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13th-century Italian composers (1 C, 1 P) T. 13th-century troubadours (4 C, 5 P) W. 13th-century women composers (6 P) Pages in category "13th-century composers"
fl. late 13th century: English – [107] Philippe de Vitry: 1291–1361 French Ars nova: 13 works at least [108] Casella: died before 1300 Italian – No surviving works [109] Jehan de Lescurel: fl. early 14th century: French Ars nova: 34 works; all monophonic except one [110] Guillaume de Machaut: c. 1300 – 1377 French Ars nova: 143 works ...
Franco of Cologne (fl. mid to late 13th century; also Franco of Paris) was a German music theorist and possibly a composer. He was one of the most influential theorists of the Late Middle Ages, and was the first to propose an idea which was to transform musical notation permanently: that the duration of any note should be determined by its appearance on the page, and not from context alone.
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
The Missal, which was a composition of 309 leaves composes of a calendrical guide containing the prayers, chants, and guides for the Mass for the Catholic Church. [6]In the 13th century, the Missal was standardized into one book, called the Missal Plenum (Latin: "Full Missal").
12th century in music – 13th century in music – 1300s in music. Events. c.1206 – A Minnesang contest, the Sängerkrieg auf der Wartburg, is held in Eisenach.
Although colloquially the term ars antiqua is used more loosely to mean all European music of the 13th century, and from slightly before. The term ars antiqua is used in opposition to ars nova (meaning "new art", "new technique" or "new style"). The transition from ars antiqua into ars nova is not clearly defined, recent interpretation has ...
Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...