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As construction techniques were developed, quarries opened, and kilns constructed, various parts of the country began to show a preference for specific building materials. [2] As a result, bahay na bato have several variations along ethnic lines. The bahay na bato in Cebu, for example, differs from the one in Ilocos and so on.
The structure is an example of bahay na bato architecture, which stands on large wooden posts sunk into the ground. The house has wooden and stone walls with brick and coquina exteriors made from crushed shells and corals. It also used construction materials such as narra, balayong and molave. [4]
Close-up of the panes of a capiz-shell window panel. In 19th-century Philippine colonial architecture, bahay na bato houses extensively used the capiz-shell window element. . Designed to take advantage of tropical cool breezes, these houses' large windows were built at least a meter high and as wide as five mete
It corresponds to long tradition by Filipino people of giving reverence for ancestors and elders. Houses could be a simple house to a mansion. The most common ones are the "Bahay na Bato". Some houses of prominent families had become points of interest or museums in their community because of its cultural, architectural or historical significance.
Pursuant to the Intramuros Register of Styles, new constructions in Intramuros that do not follow the Bahay na Bato typology may only be allowed only in specific locations where a Non-Bahay na Bato structure (e.g. a Neoclassical building) was known to exist. Otherwise, new constructions are required to follow the Bahay na Bato type. [22]
Camiña Balay Nga Bato, viewed from the restaurant extension of the house. The house was once the home of Fernando Avancena and his wife, Eulalia Abaja, and was built in the 1860s. The structure of the house was patterned after the bahay kubo, or "cube house." It was made of strong and natural materials—the roof was made of bamboo and nipa ...
This, along with the emerging stone works at the bottom part of the house, classifies the house under the 1st Transition of Bahay na bato. The support beams are decorated with the chambered nautilus motif. [2] The high quality of materials used in construction is evidenced by the house's resilience through the centuries.
Silay's stone houses, or bahay na bato —most of which are owned by landed farmers and sugar barons—are material reminders of the life of the affluent in the late 19th century to the early 20th century, the golden age of Silay and the peak of the sugar industry in the province.