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The poem opens by describing the flight of three swan-maidens identified in stanza 1 as meyjar, drósir, alvitr and suðrœnar ('young women, stately women, foreign beings, southerners') to a 'sævar strǫnd' ('lake/sea-shore') where they meet the three brothers Egill, Slagfiðr and Vǫlundr. Each maid takes one of the brothers as her own.
Divine intervention is an event that occurs when a deity (i.e. God or gods) becomes actively involved in changing some situation in human affairs. In contrast to other kinds of divine action, the expression "divine intervention" implies that there is some kind of identifiable situation or state of affairs that a god chooses to get involved with, to intervene in, in order to change, end, or ...
Edna Swithenbank Manley, OM (28 February 1900 – 9 February 1987) [1] is considered one of the most important artists and arts educators in Jamaica.She was known primarily as a sculptor, although her oeuvre included significant drawings and paintings. [2]
The original Kindertodtenlieder were a group of 428 poems written by Rückert in 1833–34 [1] in an outpouring of grief following the illness (scarlet fever) and death of two of his children. Karen Painter describes the poems thus: "Rückert's 428 poems on the death of children became singular, almost manic documents of the psychological ...
The work has several titles and is sometimes considered more than one sculpture. Other titles include: International Peace Garden Monument: Our Hope for the Children [3] International Peace Garden Monument: Peace on Earth [4] Our Hope for the Children [3] Peace on Earth [4] The Dawn of a New Era [5] The Dawn of a New Era: Peace [6] [7]
This section is followed by an interruption in the swain's monologue by the voice of Phoebus, "the sun-god, an image drawn out of the mythology of classical Roman poetry, [who] replies that fame is not mortal but eternal, witnessed by Jove (God) himself on judgment day." At the end of the poem, King/Lycidas appears as a resurrected figure ...
Grímnismál (Old Norse: [ˈɡriːmnesˌmɔːl]; 'The Lay of Grímnir') [1] is one of the mythological poems of the Poetic Edda. It is preserved in the Codex Regius manuscript and the AM 748 I 4to fragment. It is spoken through the voice of Grímnir, one of the many guises of the god Odin. The very name suggests guise, or mask or hood.
Henderson's poetry, which is often humorous, sometimes adopts the perspective of a child struggling to understand more about their place in the universe. [2] His work has been anthologized and adopted as curriculum in primary schools in the UK. He was shortlisted for the Scottish Children's Book Awards for Who Left Grandad at the Chipshop? [3]