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An analog signal (in red) encoded to 4-bit PCM digital samples (in blue); the bit depth is four, so each sample's amplitude is one of 16 possible values (16 = 2 4). In digital audio using pulse-code modulation (PCM), bit depth is the number of bits of information in each sample , and it directly corresponds to the resolution of each sample.
more sample rates (from 8 to 96 kHz) than MP3 (16 to 48 kHz); up to 48 channels (MP3 supports up to two channels in MPEG-1 mode and up to 5.1 channels in MPEG-2 mode); arbitrary bit rates and variable frame length. Standardized constant bit rate with bit reservoir; higher efficiency and simpler filter bank.
ALAC supports up to 8 channels of audio at 16, 20, 24 and 32 bit depth with a maximum sample rate of 384 kHz. ALAC data is frequently stored within an MP4 container with the filename extension.m4a. This extension is also used by Apple for lossy AAC audio data in an MP4 container (same container, different audio encoding).
The Atari ST series has a digital-to-analog converter of 3-bits, eight levels per RGB channel, featuring a 9-bit RGB palette (512 colors).Depending on the (proprietary) monitor type attached, it displays one of the 320×200, 16-colors and 640×200, 4-colors modes with the color monitor, or the high resolution 640×400 black and white mode with the monochrome monitor.
Ultimately Sony prevailed on both sample rate (44.1 kHz) and bit depth (16 bits per sample, rather than 14 bits per sample). The technical reasoning behind the rate being chosen is associated with characteristics of human hearing and early digital audio recording systems as described below. [1]: sec. 8.5
The second version of HEVC has five profiles that allow for a bit depth of 8 bits to 16 bits per sample. [ 32 ] As of 2020, some smartphones have started using 30-bit color depth, such as the OnePlus 8 Pro , Oppo Find X2 & Find X2 Pro, Sony Xperia 1 II , Xiaomi Mi 10 Ultra , Motorola Edge+ , ROG Phone 3 and Sharp Aquos Zero 2.
A Sony PCM-501ES EIAJ LPCM Adapter on a Sony SL-HF360 VTR. The Sony PCM-1600 was the first commercial video-based 16-bit recorder. The 1600 (and its later versions, the 1610 and 1630) used special U-matic-format VCRs also furnished by Sony for transports, such as the BVU-200B (the first model of VCR optimized to work, and sold with, the PCM-1600 in 1979), [2] BVU-800DA, VO-5630DA, and the ...
The audio bit rate for a Red Book audio CD is 1,411,200 bits per second (1,411 kbit/s) or 176,400 bytes per second; 2 channels × 44,100 samples per second per channel × 16 bits per sample. Audio data coming in from a CD is contained in sectors, each sector being 2,352 bytes, and with 75 sectors containing 1 second of audio.