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  2. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    An analog signal (in red) encoded to 4-bit PCM digital samples (in blue); the bit depth is four, so each sample's amplitude is one of 16 possible values (16 = 2 4). In digital audio using pulse-code modulation (PCM), bit depth is the number of bits of information in each sample , and it directly corresponds to the resolution of each sample.

  3. 44,100 Hz - Wikipedia

    en.wikipedia.org/wiki/44,100_Hz

    Ultimately Sony prevailed on both sample rate (44.1 kHz) and bit depth (16 bits per sample, rather than 14 bits per sample). The technical reasoning behind the rate being chosen is associated with characteristics of human hearing and early digital audio recording systems as described below. [1]: sec. 8.5

  4. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    Sample rate Bit rate Bits per sample Latency CBR VBR Stereo Multichannel G.711: companding A-law or μ-law, PCM: 8 kHz 64 kbit/s 8 bit 125 μs (typical) Yes No No No G.711.0: Lossless compression of G.711: 8 kHz 0.2–65.6 kbit/s 8 bit 5–40 ms No Yes No No G.711.1: MDCT, A-law, μ-law: 8, 16 kHz 64, 80, 96 kbit/s 16 bit 11.875 ms Yes Yes No No

  5. Pulse-code modulation - Wikipedia

    en.wikipedia.org/wiki/Pulse-code_modulation

    Delta modulation is a form of DPCM that uses one bit per sample to indicate whether the signal is increasing or decreasing compared to the previous sample. In telephony, a standard audio signal for a single phone call is encoded as 8,000 samples per second , of 8 bits each, giving a 64 kbit/s digital signal known as DS0 .

  6. Sampling (signal processing) - Wikipedia

    en.wikipedia.org/wiki/Sampling_(signal_processing)

    Audio is typically recorded at 8-, 16-, and 24-bit depth, which yield a theoretical maximum signal-to-quantization-noise ratio (SQNR) for a pure sine wave of, approximately, 49.93 dB, 98.09 dB and 122.17 dB. [22] CD quality audio uses 16-bit samples. Thermal noise limits the true number of bits that can be used in quantization.

  7. Compact Disc Digital Audio - Wikipedia

    en.wikipedia.org/wiki/Compact_Disc_Digital_Audio

    The audio bit rate for a Red Book audio CD is 1,411,200 bits per second (1,411 kbit/s) or 176,400 bytes per second; 2 channels × 44,100 samples per second per channel × 16 bits per sample. Audio data coming in from a CD is contained in sectors, each sector being 2,352 bytes, and with 75 sectors containing 1 second of audio.

  8. Lossless JPEG - Wikipedia

    en.wikipedia.org/wiki/Lossless_JPEG

    Adobe's DNG SDK provides a software library for encoding and decoding lossless JPEG with up to 16 bits per sample. ISO/IEC Joint Photography Experts Group maintains a reference software implementation which can encode both base JPEG (ISO/IEC 10918-1 and 18477-1) and JPEG XT extensions (ISO/IEC 18477 Parts 2 and 6-9), as well as JPEG-LS (ISO/IEC ...

  9. Dither - Wikipedia

    en.wikipedia.org/wiki/Dither

    The final version of audio that goes onto a compact disc contains only 16 bits per sample, but throughout the production process, a greater number of bits are typically used to represent the sample, this must be reduced to 16 bits to make the CD. There are multiple ways to do this.