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The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion"—either standalone or as a compound modifier.Both orthographic variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatically stopping a machine or engine when something has gone wrong".
founder of stop motion studio Cuppa Coffee Animation: Adam Jones: 1965 United States: Sober (1992) 1992–present puppets guitarist for Tool, responsible for their stop motion music videos Corky Quakenbush: United States: MADtv (1995-1997) 1995–present Eric Fogel: 1969 United States: Celebrity Deathmatch (1998-2002) 1997–present clay
This is a list of films that showcase stop motion animation, and is divided into four sections: animated features, TV series, live-action features, and animated shorts. This list includes films that are not exclusively stop motion.
James Danforth (born July 13, 1940) is an American stop-motion animator, known for model-animation, matte painting, and for his work on When Dinosaurs Ruled the Earth (1970), a theme-sequel to Ray Harryhausen's One Million Years B.C. (1967).
Phil Tippett (born September 27, 1951) is an American film director and visual effects supervisor and producer, who specializes in creature design, stop-motion and computerized character animation. [ 1 ] [ 2 ] Over his career, he has assisted ILM and DreamWorks , and in 1984 formed his own company, Tippett Studio .
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This stop-motion sequence took over four months to complete. Models for the Allosaur in One Million Years B.C. (1966) and Talos from Jason and the Argonauts (1963) at the National Media Museum. Harryhausen next made First Men in the Moon (1964), his only film made in the 2.35:1 widescreen (a.k.a. "CinemaScope") format, based on the novel by H ...
Caroline Leaf began using sand for animation when she was an undergraduate art student at Harvard University in 1968. [3] She created her first film, Sand, or Peter and the Wolf (1968), by dumping beach sand on a light box and manipulating the grains to build figures, textures and movement, frame by frame. [ 4 ]