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French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
French phonology is the sound system of French.This article discusses mainly the phonology of all the varieties of Standard French.Notable phonological features include the uvular r present in some accents, nasal vowels, and three processes affecting word-final sounds:
à la short for (ellipsis of) à la manière de; in the manner of/in the style of [1]à la carte lit. "on the card, i.e. menu". In restaurants it refers to ordering individual dishes from the menu rather than a fixed-price meal.
French also shows enormous phonetic changes between the Old French period and the modern language. Spelling, however, has barely changed, which accounts for the wide differences between current spelling and pronunciation. Some of the most profound changes have been: The loss of almost all final consonants.
Later she was tentatively identified as Lucretia Crivelli, a married lady-in-waiting to Duchess Beatrice of Milan, who became another of the Duke's mistresses. [1] Leonardo's Lady with an Ermine has also been known by this name. This was once believed to be a portrait of Cecilia Gallerani, one of the mistresses of Ludovico Sforza, Duke of Milan ...
Lucrezia Borgia was born on 18 April 1480 at Subiaco, near Rome. [2] Her mother was Vannozza dei Cattanei, one of the mistresses of Lucrezia's father, Cardinal Rodrigo de Borgia (later Pope Alexander VI).
This is the pronunciation key for IPA transcriptions of French on Wikipedia. It provides a set of symbols to represent the pronunciation of French in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
The story of Lucretia was a popular moral tale in the later Middle Ages. Lucretia appears to Dante in the section of Limbo, reserved for the nobles of Rome and other "virtuous pagans", in Canto IV of the Inferno. Christine de Pizan used Lucretia, just as St. Augustine of Hippo did, in her City of Ladies, defending a woman's sanctity.