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  2. Remember (Walking in the Sand) - Wikipedia

    en.wikipedia.org/wiki/Remember_(Walking_in_the_Sand)

    "Remember (Walking in the Sand)", also known as "Remember", is a song written by George "Shadow" Morton. It was originally recorded by the girl group the Shangri-Las, who had a top five hit with it in 1964, their first hit single. A remake by Aerosmith in 1979 was a minor hit. There have been many other versions of the song as well.

  3. Jammin' Me - Wikipedia

    en.wikipedia.org/wiki/Jammin'_Me

    "Jammin' Me" was released as the first single from Let Me Up (I've Had Enough) in 1987, reaching No. 1 in the Billboard Album Rock Tracks chart, as well as No. 18 on the Billboard Hot 100. [7] It became Petty's third single to hit No. 1 on the Album Rock (later known as Mainstream Rock) chart and stayed there for four weeks; previous songs to ...

  4. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord

  5. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    The bassist (electric bass or double bass) uses the chord symbols to help improvise a bass line that outlines the chords, often by emphasizing the root and other key scale tones (third, fifth, and in a jazz context, the seventh). The lead instruments, such as a saxophonist or lead guitarist, use the chord chart to guide their improvised solos.

  6. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music.

  7. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    Often the chords may be selected to fit a pre-conceived melody, but just as often it is the progression itself that gives rise to the melody. Similar progressions abound in African popular music . They may be varied by the addition of sevenths (or other scale degrees ) to any chord or by substitution of the relative minor of the IV chord to ...