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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Du "Cubisme", also written Du Cubisme, or Du « Cubisme » (and in English, On Cubism or Cubism), is a book written in 1912 by Albert Gleizes and Jean Metzinger. This was the first major text on Cubism , predating Les Peintres Cubistes by Guillaume Apollinaire (1913).
Georges Braque, 1908, Maisons et arbre (Houses at l'Estaque), oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art Artists at the forefront of the Parisian art scene at the outset of the 20th century would not fail to notice the tendencies toward abstraction inherent in the work of Cézanne, and ventured still further. [6]
Philadelphia Museum of Art. A.E. Gallitan Collection, 1952 A.E. Gallitan Collection, 1952 Three Musicians , also known as Musicians with Masks or Musicians in Masks , is a large oil painting created by Spanish artist Pablo Picasso .
It is acknowledged as a masterpiece of analytical cubism It presents a string instrument, the mandora, and its subject is typical of the Cubist painters' interest in the depiction of musical instruments. Braque explained his own interest: "In the first place because I was surrounded by them, and secondly because their plasticity, their volumes ...
In The Rise if Cubism Daniel Henry Kahnweiler writes of the similarities between African art with Cubist painting and sculpture: In the years 1913 and 1914 Braque and Picasso attempted to eliminate the use of color as chiaroscuro, which had still persisted to some extent in their painting, by amalgamating painting and sculpture.
The analytic phase of Cubism was an original art movement developed by Picasso and his contemporary Georges Braque (1882–1963) and lasted from 1908-1912. [2] Like Bottle, Glass, Fork , the paintings of this movement are characterized by the limited use of color, and a complex, elegant composition of small, fragmented, tightly interwoven ...
Braque's work was characterized by his use of illusionistic techniques, exemplified in this painting by the trompe l'oeil image of a nail from which the still life depicted on canvas appears to hang, thereby emphasizing the deliberate two-dimensionality of space. With this canvas, Braque postulates and actualizes the main idea of analytical ...