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cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
Komm, süßer Tod, first edition 1736 "Komm, süßer Tod, komm selge Ruh" (Come, sweet death, come, blessed rest) is a song for solo voice and basso continuo from the 69 Sacred Songs and Arias that Johann Sebastian Bach contributed to Musicalisches Gesang-Buch by Georg Christian Schemelli (BWV 478), edited by Schemelli in 1736. [1]
Blessed Hermann of Reichenau or Herman the Cripple (18 July 1013 – 24 September 1054), also known by other names, was an 11th-century Benedictine monk and scholar. He composed works on history , music theory , mathematics , and astronomy , as well as many hymns .
Broke the fair music that all creatures made To their great Lord, whose love their motion swayed In perfect diapason, whilst they stood In first obedience, and their state of good. O may we soon again renew that song, And keep in tune with Heav'n, till God ere long To His celestial concert us unite, To live with Him, and sing in endless morn of ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 17 February 2025. 2015 single by Thomas Rhett "Die a Happy Man" Single by Thomas Rhett from the album Tangled Up Released September 28, 2015 (2015-09-28) Recorded 2015 Genre Country pop soft rock Length 3: 47 Label Valory Republic Songwriter(s) Thomas Rhett Sean Douglas Joe Spargur Producer(s) Dann Huff ...
Both included on collections to gather funds for the victims of the terrorist attacks of September 11, 2001, and their families. The live version was released on America: A Tribute to Heroes CD and DVD on December 4, 2001. The studio version was released on the God Bless America album. The song was recorded on September 20, 2001, the day before ...
Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive emotionalism. [2] A defining characteristic is that the text does not "initiate praise", but is rather an invitation to join in an endless song.
What a blessed hope is mine: Robert Bruce* 54: Song of Immanuel: Come, sing the sweet song of the ages: Mrs R.N. Turner: 62: Seeking for the Lost: He is seeking for the lost: Rebecca R. Springer: 71: Oh, precious words that Jesus said: F.J. Crosby: 76: O love that passeth knowledge: Lyman G Cuyler* 83: Blessed Redeemer, full of compassion: F.J ...