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Identification of inmates in Nazi concentration camps (operated by Nazi Germany in its own territory and in parts of German-occupied Europe) was performed mostly with identification numbers marked on clothing, or later, tattooed on the skin. More specialized identification in Nazi concentration camps was done with badges on clothing and armbands.
Schematic of the triangle-based badge system in use at most Nazi concentration camps. Nazi concentration camp badges, primarily triangles, were part of the system of identification in German camps. They were used in the concentration camps in the German-occupied countries to identify the reason the prisoners had been placed there. [1]
The inverted black triangle (German: schwarzes Dreieck) was an identification badge used in Nazi concentration camps to mark prisoners designated asozial ("a(nti-)social") [1] [2] and arbeitsscheu ("work-shy"). The Roma and Sinti people were considered asocial and tagged with the black triangle.
Nazi propaganda demonized the prisoners as race traitors, sexual degenerates, and criminals and presented the camps as sites of re-education. [ 81 ] [ 80 ] After 1933, reports in the press were scarce but larger numbers of people were arrested and people who interacted with the camps, such as those who registered deaths, could make conclusions ...
It has been 80 years since the Soviet Army liberated Auschwitz, the largest Nazi concentration complex. First established in 1940, Auschwitz had a concentration camp, large gas chambers, and ...
According to the Encyclopedia of Camps and Ghettos, there were 23 main concentration camps (German: Stammlager), of which most had a system of satellite camps. [1] Including the satellite camps, the total number of Nazi concentration camps that existed at one point in time is at least a thousand, although these did not all exist at the same time.
The images were taken within 15–30 minutes of each other by an inmate inside Auschwitz-Birkenau, the extermination camp within the Auschwitz complex. Usually named only as Alex, a Jewish prisoner from Greece, the photographer was a member of the Sonderkommando, inmates forced to work in and around the gas chambers.
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