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Songs for Christmas Vol. 2 [167] "White Christmas" – "No Room in the Inn" – "Joy to the World" – "Go Tell It on the Mountain" CBS (Netherlands) EP 5.514 Mahalia Jackson with orchestra and chorus directed by Johnny Williams. 1962 Song of the Open Road [168] "Song of the Open Road" – "The Girl in the Wood" – "The Wayfaring Stranger" –
Songs written by André and Dory Previn Nominated—Academy Award for Best Scoring of Music — Adaptation or Treatment: A Guide for the Married Man: Gene Kelly: Credited as Johnny Williams Composed title song (written by Leslie Bricusse, performed by The Turtles) Fitzwilly: Delbert Mann: The Mirisch Corporation United Artists: Credited as ...
A Fierce Pancake is the second and final album and only full-length studio album by Anglo-Irish experimental rock band Stump, released 7 March 1988 on Ensign Records.After the band had enjoyed some underground success in the 1980s, including the release of their critically acclaimed "Buffalo" single and Quirk Out mini-album in 1986, the band signed to major label Ensign Records and began work ...
John Towner Williams (born February 8, 1932) [1] [2] [3] is an American composer and conductor. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinema history .
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The soundtrack for the film has been issued numerous times. The original 1982 album release was a recording of concert arrangements based on the film's music, whereas later issues contain the actual soundtrack cues as heard in the film, although most cues are alternates originally recorded for the film, but replaced by new cues.
Flat as a Pancake is the debut studio album by American rock band Head East.The album was originally released independently by Pyramid Records. However, when radio stations began to play the song "Never Been Any Reason", A&M Records signed the band and re-released the album in June 1975. [2]
The soundtrack was released on April 14, 1978, two months ahead of the film's release. [1] As with most musicals of the period, the vocal takes recorded for the album release–and in some cases the instrumental background as well–do not lock to picture but were recorded during entirely different soundtrack sessions often months prior or subsequent to the performances used for lip sync in ...