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In the fields of sociology and social psychology, a breaching experiment is an experiment that seeks to examine people's reactions to violations of commonly accepted social rules or norms. Breaching experiments are most commonly associated with ethnomethodology , and in particular the work of Harold Garfinkel .
Harold Garfinkel (October 29, 1917 – April 21, 2011) [2] was an American sociologist and ethnomethodologist, who taught at the University of California, Los Angeles. Having developed and established ethnomethodology as a field of inquiry in sociology , he is probably best known for Studies in Ethnomethodology (1967), a collection of articles.
Agnes is the pseudonym given to a transgender woman who participated in Harold Garfinkel's research in the early 1960s, making her the first subject of an in-depth discussion of transgender identity in sociology. [1] She is the subject of a 2018 documentary short and a 2022 documentary, both titled Framing Agnes. [2] [3]
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The approach was originally developed by Harold Garfinkel, who attributed its origin to his work investigating the conduct of jury members in 1954. [ 1 ] [ 8 ] [ 9 ] His interest was in describing the common sense methods through which members of a jury produce themselves in a jury room as a jury .
Garfinkel is a UCLA sociologist. There is no evidence for the claim made here offered as proof of this assertion. The link does not mention Garfinkel. WTF! —Preceding unsigned comment added by 161.185.151.92 21:05, 16 December 2010 (UTC) Castenada cited Garfinkel as his PhD committee chair in the first Don Juan book.
Conversation analysis (CA) is an approach to the study of social interaction that investigates the methods members use to achieve mutual understanding through the transcription of naturally occurring conversations from audio or video. [1] It focuses on both verbal and non-verbal conduct, especially in situations of everyday life.
The film premiered at the 2022 Sundance Film Festival, [3] where Joynt won both the Audience Award and the Innovator Prize in the NEXT program. [6] In a critical review in Paste, Shayna Maci Warner wrote, "As a cinematic experience, the film feels pulled in several directions, formally incomplete and jagged."