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The third movement, which Prokofiev himself called an "argument" [3] between soloist and orchestra, begins with an A-minor statement of the main theme in bassoons and pizzicato strings, interrupted by the piano's assertive entrance with a conflicting theme. Interplay between the piano and orchestra builds up steam, with a brief quickening of ...
The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord , but with gut (sometimes nylon ) rather than metal strings (except for the 4-foot register on some instruments), producing a mellow tone.
The piano ends the movement with a short, violent "cadenza-esque" passage which moves into the last movement without pause. Many melodic thoughts of this movement allude to Rachmaninoff's second piano concerto, third movement, noticeably the Russian-like E ♭ major melody. The movement ends with tutti chords leading into the 3rd movement attacca.
Santiago de Murcia (c.1682 – c.1740, moved to Mexico, composed for Baroque guitar) Luys de Narváez (fl. 1526–49) Diego Pisador (1509/10 – after 1557) Lucas Ruiz de Ribayaz (born probably before 1650, composed for Baroque guitar) Gaspar Sanz (mid-17th century–early 18th century, composed for Baroque guitar) Enríquez de Valderrábano ...
Piano Concerto No. 3 refers to the third piano concerto written by one of a number of composers: Piano Concerto No. 3 (Balada), by Leonardo Balada, 1899; Piano Concerto No. 3 (Bartók) in E major (Sz. 119, BB 127) by Béla Bartók, 1945; Piano Concerto No. 3 (Beethoven) in C minor (Op. 37), c.1800; Piano Concerto No. 3 (Chopin) (Allegro de ...
A Baroque orchestra is an ensemble for mixed instruments that existed during the Baroque era of Western Classical music, commonly identified as 1600–1750. [1] Baroque orchestras are typically much smaller, in terms of the number of performers, than their Romantic -era counterparts.
Sylvius Leopold Weiss. Sylvius Leopold Weiss (12 October 1687 – 16 October 1750) was a German composer and lutenist.. Born in Grottkau near Breslau, the son of Johann Jacob Weiss, also a lutenist, Weiss was one of the most important and most prolific composers of lute music in history and one of the best-known and most technically accomplished lutenists of his day.
The concerto is scored for 2 flutes, 2 oboes, 2 clarinets in B ♭, 2 bassoons, 2 horns in E ♭, E and C, 2 trumpets in C, timpani, strings and piano soloist. As is standard for Classical/Romantic-era concertos, the work is in three movements: