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House dance is a freestyle street dance and social dance that has roots in the underground house music scene of Chicago and New York. [ 1 ] [ 2 ] It is typically danced to loud and bass -heavy electronic dance music provided by DJs in nightclubs or at raves .
Afro house (also written as Afro-house or Afrohouse) [1] is a sub-genre of house music mainly developed in South Africa. [2] The genre emerged in the 1990s. This musical style fuses elements of traditional house with African rhythms and sounds, incorporating instruments such as the saxophone, piano and synthesizers, as well as vocals in various African languages.
Traditional Zulu, drummer Zulu musicians, 1900 Gqom is known for its beats which have a minimal, raw and repetitive sound with heavy bass as well as incorporations of techno, Durban kwaito, kwaito, maskandi, afro house, breakbeat, tribal house and broken beat.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [10] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
Amapiano is a subgenre of kwaito and house music from South Africa that became popular in and around the mid-2010s. It is a hybrid of deep house, gqom, jazz, soul and lounge music characterized by synths and wide, percussive basslines. The word "amapiano" derives from the IsiZulu word for "pianos".
One of the primary elements in house dancing is "the jack" or "jacking"—a style created in the early days of Chicago house that left its trace in numerous record titles such as "Time to Jack" by Chip E. from the "Jack Trax" EP (1985), "Jack’n the House" (1985) by Farley "Jackmaster" Funk (1985) or "Jack Your Body" by Steve "Silk" Hurley (1986).
Afrobeats, not to be confused with Afrobeat or Afroswing, is an umbrella term to describe popular music from West Africa and the diaspora [1] [2] that initially developed in Nigeria, Ghana, and the UK in the 2000s and 2010s.
While punta the song form symbolizes the retention of culture through music, punta the dance form symbolizes the continuity of life." [1] The basic dance appeals across lines of gender and age, whether it is expressed in its original, more conservative manner with gentle swaying hips that imply sexual desire, or the more aggressive, provocative ...