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Vase with White and Red Carnations is a work by Vincent van Gogh. It is an oil on canvas painting in a private collection, painted in the summer of 1886 in Paris. [ 1 ] The painting depicts white and red carnation flowers in a gold and dark brown vase.
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.
The paint is usually not fused to the flat glass by firing, but if it is, it is still called "stained glass". Glass painting or glass painter might refer to either technique, but more usually enamelled glass. It may also refer to the cinematic technique of matte painting, which is a type of painted representation of landscape. There is benefits ...
Art glass is a subset of glass art, this latter covering the whole range of art made from glass. Art glass normally refers only to pieces made since the mid-19th century, and typically to those purely made as sculpture or decorative art , with no main utilitarian function, such as serving as a drinking vessel, though of course stained glass ...
Crackled glass was glass filled with webs of small cracks and fissures, refracting light and causing the glass to have a sparkling effect. [1] Émaux-Bijoux was a technique invented by Emile Gallé. Translucent layers of enamel were built up in layers and then fused to a foil of precious metal, which was then heated and attached to the outside ...
A vase or jug, probably for perfumed oil, found in the tomb of the pharaoh Tutmose III and now in the British Museum dates to about 1425 BC. The base glass is blue, and it has geometrical decoration in yellow and white enamels; it is 8.7 cm high. [10]
Still Life with Vase, Bottle and Fruit: 1903–06 Oil on canvas: 73 × 92 cm St. Petersburg: Hermitage Museum: A Glimpse of Notre-Dame in the Late Afternoon: Notre-Dame, une fin d'après-midi: 1902 Oil on paper mounted on canvas 72.39 × 54.61 cm Buffalo, New York: Albright-Knox Art Gallery: Pastoral (painting) 1905 46 × 55 cm. Paris