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A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
"Out of Nowhere" is a popular song composed by Johnny Green with lyrics by Edward Heyman and published by Famous Music. It was popularized by Bing Crosby , and was the first recording under his Brunswick Records contract.
AllMusic stated: "The players constantly take chances with time but there are few slipups or hesitant moments. A fascinating and long-lost session". [3] The Penguin Guide to Jazz wrote that "Ellis plays lines and melodic inversions of considerable inventiveness, always striking out for the microtonal terrain he was to colonise later in the '60s".
Out of Nowhere is a live album by saxophonist James Carter's Organ Trio with guests James Blood Ulmer and Hamiet Bluiett recorded at the Blue Note Jazz Club, and released on the Half Note Records label in 2005. [1]
Out of Nowhere (Chet Baker album) Out of Nowhere (James Carter album) Out of Nowhere (Sonny Criss album) Out of Nowhere (Don Ellis album) Out of Nowhere (Harold Fethe album) Out of Nowhere (Lee Konitz and Paul Bley album) Out of Nowhere (Vinnie Moore album) Out Of Nowhere (Jimi Tenor album), 2000 solo album by Jimi Tenor
"Out of Nowhere" is a song by British rapper and actor Bugzy Malone and British producer TeeDee. It was released on 11 November 2022 as the lead single from Malone's third studio album The Great British Dream .
From Out of Nowhere is the fourteenth studio album by British rock band Electric Light Orchestra (ELO), and the second credited to Jeff Lynne's ELO. The band's first studio album in four years, it was released on 1 November 2019 through Big Trilby and Columbia Records. The title track was released as the lead single on 26 September 2019. [2]
[6] The New York Times wrote that Out of Nowhere "is filled with his off-kilter, eccentric soloing and perfect New Orleans voice." [5] The St. Petersburg Times determined that Eaglin's "eclectic tastes match his offbeat guitar style, which incorporates grungy, bar-band riffing, staccato-studded solos and Wes Montgomery-inspired licks."