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Hobo was used as the main typeface in the title sequence and promotional materials of the 1969 film Butch Cassidy and the Sundance Kid. [4] Hobo was used in the opening titles of The Dukes of Hazzard. [citation needed] Hobo was used as the main typeface in the title card sequence of Winx Club. [citation needed]
New Swiss road signs near Lugano use the typeface ASTRA-Frutiger.. Frutiger is a sans-serif typeface by the Swiss type designer Adrian Frutiger.It is the text version of Frutiger's earlier typeface Roissy, commissioned in 1970/71 [6] by the newly built Charles de Gaulle Airport at Roissy, France, which needed a new directional sign system, which itself was based on Concorde, a font Frutiger ...
The "Intermission" card in Monty Python and the Holy Grail uses the Windsor Bold font. Windsor Bold is also the typeface used in the 1980s trading card series Garbage Pail Kids. [7] For a majority of its run, and following its expansion to an hour long in 1975, The Price Is Right flashed phrases during the intro that were in Windsor. Originally ...
The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
ITC Kristen is a casual script typeface consisting of two weights designed by George Ryan for the International Typeface Corporation (ITC). It was inspired by a handwritten menu at a Cambridge, Massachusetts restaurant, [1] [2] and has an asymmetric structure suggesting a child's handwriting.
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Comic Sans Pro is an updated version of Comic Sans created by Terrance Weinzierl from Monotype Imaging. While retaining the original designs of the core characters, it expands the typeface by adding new italic variants, in addition to swashes, small capitals, extra ornaments and symbols including speech bubbles, onomatopoeia and dingbats, as well as text figures and other stylistic alternatives.