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The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
A 1913 photograph of Ezra Pound, one of the most influential modernist poets. The roots of English-language poetic modernism can be traced back to the works of a number of earlier writers, including Walt Whitman, whose long lines approached a type of free verse, the prose poetry of Oscar Wilde, Robert Browning's subversion of the poetic self, Emily Dickinson's compression and the writings of ...
When modernism ends is debatable. Though The Oxford Encyclopedia of British Literature sees Modernism ending by c.1939, [4] with regard to British and American literature, "When (if) Modernism petered out and postmodernism began has been contested almost as hotly as when the transition from Victorianism to Modernism occurred". [5]
Bimodality is the simultaneous use of two distinct pitch collections. It is more general than bitonality since the "scales" involved need not be traditional scales; if diatonic collections are involved, their pitch centers need not be the familiar major and minor-scale tonics.
This article is focused on English-language literature rather than the literature of England, so that it includes writers from Scotland, Wales, and the whole of Ireland, as well as literature in English from former British colonies. It also includes, to some extent, the United States, though the main article for that is American literature.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Oral literature is especially rich in chiastic structure, possibly as an aid to memorization and oral performance. In Homer's Iliad and Odyssey, for instance, Cedric Whitman finds chiastic patterns "of the most amazing virtuosity" that simultaneously perform both aesthetic and mnemonic functions, permitting the oral poet easily to recall the basic structure of the composition during ...
A literary genre is a category of literature.Genres may be determined by literary technique, tone, content, or length (especially for fiction).They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. [1]