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035 Dhyana Mudra, Amitabha at Borobudur, Java, photograph by Anandajoti Bhikkhu: Orientation: Normal: Horizontal resolution: 180 dpi: Vertical resolution: 180 dpi: Software used: Ver.1.0 : File change date and time: 15:27, 12 November 2013: Y and C positioning: Co-sited: Exposure Program: Portrait mode (for closeup photos with the background ...
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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
Amitāyus—the Buddha of Infinite Life—and Amitābha—the Buddha of Infinite Light—are essentially identical, being reflective images of one another. Sutras in which Gautama Buddha expounds the glories of Sukhavati, the Pure Lands, speak of the presiding Buddha sometimes as Amitābha and sometimes as Amitāyus.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
He made forty-eight wishes to save human beings, and if these wishes are not fulfilled, he will never become a Buddha. In the end, the king became a Buddha in the Pure Land in the West, and the name of the Buddha is Amitabha. [6] According to Buddhist scriptures, the Pure Land in the West is free of diseases, disasters and disturbances. People ...
There are also images of Amitābha with the bodhisattvas Avalokiteśvara and Mahāsthāmaprāpta which were made in Gandhāra during the Kushan era. [62] One of the earliest Chinese followers of Amitabha was Zhi Dun (314–366), a Neo-Daoist scholar turned Buddhist monk. [63] One of his eulogies expresses his faith in Amitabha Buddha and the ...
When adapted to Korean Buddhist iconography, the Japanese influence on Buddha Amitabha representations resulted in a greater capacity of the paintings to evoke visual empathy because the simple composition occupying the whole pictorial space helps the viewer concentrate on the deities; the image simulates the moment of meeting with Amitabha ...