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Popular microphone connector from 1930s to 1980s, originally manufactured by Amphenol. Amphenol sold this production to WPI Interconnect in early 1980s. The Amphenol 80-MC2M, which mates with the 80-PC2F, microphone connector was popular with American radio manufacturers (1950s to 1970s). The Amphenol 80-PC2F connector, that mates with the 80-MC2M
It allows the microphone to be positioned in the studio, on stage or on location without requiring a person to hold it. The most basic microphone stand is a straight stand . It uses a dome -shaped round metal base, or a tripod base, into which is threaded a post for mounting the microphone (most commonly a 5/8-27 threaded hole).
The FT-817 is based on a similar circuit architecture as Yaesu's FT-857 and FT-897, so it is a compromise transceiver and incorporates its features to its low price ($670.- at its 2001 release). [ 3 ]
The directionality of the 77-DX is variable. A rotating backshutter on the acoustic labyrinth, controlled by a screwdriver-operated slot at the rear of the microphone, allows the user to vary the microphone's pattern from omnidirectional in the fully closed position, to cardioid, to figure-8 (bidirectional) in the fully open position.
When concealing the mic is important, such as with film production, a smaller housing may be desirable. Sanken's CUB-01 boundary microphone has a 32 mm diameter and 12 mm height, which makes it easier to hide in TV and film field shooting and easier to reposition or temporarily mount in locations (e.g. taping it onto the inside ceiling of a car).
A contact microphone is a form of microphone that senses audio vibrations through contact with solid objects. [1] Unlike normal air microphones, contact microphones are almost completely insensitive to air vibrations but transduce only structure-borne sound.