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A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [ 1 ] [ 2 ] ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode . [ 3 ]
The following is a list of composers of Carnatic and Hindustani music, subgenres of Indian classical music, who have created ragas. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. Composer Genre Raga Created Remarks Ref Goddess Parvati Malkauns Its believed that this raga was created by ...
Kafi is a sampoorna-sampoorna or heptatonic raga, with komal (half a note down) Gandhar (ga) and Nishad (ni). This is also referred to as the Bhairavi of night. Both Shuddha Nishad & Gandhar are occasionally used.
Raga Jog omits the second and the sixth intervals, Ri and Dha, making it pentatonic, or Audav in nature. In ascending, it uses Shuddha Ga, and in descending, it uses Komal Ga.
Raga or raaga may also refer to: Places. Raga, Arunachal Pradesh, a tehsil in India; Raga, Bhutan, a town in Bhutan; Ray, Iran, a city known in Old Persian as Rag ...
This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.
Yakshagana rāga (Kannada:ಯಕ್ಷಗಾನ ರಾಗ, pronounced as yaksha-gaana raaga) refers to melodic modes used in Yakshagana.It is based on pre-classical melodic forms that consist of a series of five or more musical notes upon which a melody is founded. [1]
The Vadi is komal Re, while the Samvadi is shuddh Dha. Notice that these do not form a perfect interval. So V.N.Paṭvardhan [2] says "It is customary to give Re and Dha as vādi and saṃvādi, but seen from the point of view of the śāstras (treatises) it is not possible for re and Dha to be saṃvādī (i.e. consonant) to each other.