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Saltillo tiles vary in color and shape, but the majority of Traditional Saltillo tiles range in varying hues of reds, oranges, and yellows. [3] Manganese Saltillo tile has light and dark brown colors with some terracotta tones. Antique Saltillo [4] tile is a hand-textured finished with deep terracotta tones of color. With its textured surface ...
Part of the facade, with azulejos. It is known that the original construction was built in the 16th century, and that it is actually made up of the union of two stately mansions, of which the one that was originally located on the south side was the one that belonged, together with the so-called Plazuela de Guardiola to a man named Damián Martínez. [6]
High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically, this activity of conservation-restoration is undertaken by a conservator-restorer , especially when dealing with an object of cultural heritage .
A relatively new tradition in ceramics is called "folk art". These pieces are mostly decorative, such as figures, tiles; and fine wares such as casseroles, teacups, and dishes. These are produced for the Mexican upper class, the international market, and to some extent, tourists.
Many of the façades in the historic center of Puebla are decorated with these tiles. [9] [20] These tiles are called azulejos and can be found on fountains, patios, the façades of homes, churches and other buildings, forming an important part of Puebla's Baroque architecture. [21] This use of azulejos attested to the family's or church's wealth.
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