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Aristotle with a Bust of Homer (Dutch: Aristoteles bij de buste van Homerus), also known as Aristotle Contemplating a Bust of Homer, is an oil-on-canvas painting by Rembrandt that depicts Aristotle wearing a gold chain and contemplating a sculpted bust of Homer. It was created as a commission for Don Antonio Ruffo's collection.
The novel is an eclectic historical journey across multiple periods of history, all connected by a single painting: Rembrandt van Rijn's Aristotle Contemplating a Bust of Homer. The work jumps from the golden age of Athens , to 17th Century Holland , to the rise of the American Empire; hopscotching from Aristotle , to Rembrandt , to Socrates ...
Aristotle Contemplating a Bust of Homer (1653) – Metropolitan Museum of Art, New York; The Three Crosses (1653) – Museum of Fine Arts, Boston; Bathsheba at Her Bath (1654) – The Louvre, Paris; Christ Presented to the People (c. 1655) – Various versions at different museums. One of the two largest prints made by Rembrandt.
Rembrandt's Aristotle with a Bust of Homer, too, is a celebrated work, showing the knowing philosopher and the blind Homer from an earlier age: as the art critic Jonathan Jones writes, "this painting will remain one of the greatest and most mysterious in the world, ensnaring us in its musty, glowing, pitch-black, terrible knowledge of time."
Aristotle with a Bust of Homer; B. Bruces' Philosophers Song; C. Child of a Dream; D. List of cultural references in the Divine Comedy; E. The Ends of the Earth ...
Pages in category "Cultural depictions of Homer" The following 16 pages are in this category, out of 16 total. ... Aristotle with a Bust of Homer; B.
The film, which follows the protagonists as their hometown of Springfield is quarantined under a giant glass dome after Homer pollutes the local lake, became a box-office hit, grossing $536.4 ...
Homer Dictating his Verses is a 1663 oil-on-canvas painting by Rembrandt, signed and dated by the artist. It is now in the Mauritshuis , to which it was bequeathed in 1946 by Abraham Bredius , who had loaned it to the museum since 1894, when he first bought it in London.