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Completed in 1818, it is often considered to be Beethoven's most technically challenging piano composition [42] and one of the most demanding solo works in the classical piano repertoire. [43] [44] The Piano Sonata No. 1 in C, Op. 1 by Johannes Brahms opens with a fanfare similar to the fanfare heard at the start of the Hammerklavier sonata.
Piano Concerto No.2: Scores at the International Music Score Library Project; Moszkowski Piano Concerto No.2 analysis and description: Naxos Direct; Introduction of Moszkowski's Piano Concerto No.2 on Gramophone; Moszkowski: Piano Concerto, review: 'sumptuous and glistening' Grieg & Moszkowski Piano Concertos played by Joseph Moog
Erik Tawaststjerna, who authored seminal biography on Sibelius, was an early, vocal advocate for many of the composer's piano pieces. The musicologist Robert Layton argues that the Ten Pieces are a mixed bag, although the "best of them are probably more personal than" their immediate predecessor, the Piano Sonata in F major (Op. 12, 1893).
Étude Op. 10, No. 3, in E major, is a study for solo piano composed by Frédéric Chopin in 1832. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the third piece of his Études Op. 10. This is a slow cantabile study for polyphonic and expressive legato playing.
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
The beginning of the first movement. Ludwig van Beethoven's Piano Sonata No. 23 in F minor, Op. 57 (colloquially known as the Appassionata, meaning "passionate" in Italian) is among the three famous piano sonatas of his middle period (the others being the Waldstein, Op. 53 and Les Adieux, Op. 81a); it was composed during 1804 and 1805, and perhaps 1806, and Beethoven dedicated it to cellist ...
Portrait of Schubert (1827) Schubert was a prolific composer, and despite his personal struggles, he produced a plethora of works in the late 1820s. [1] The Impromptus were composed during a particularly creative period in 1827, which included the Piano Trio No. 1, Piano Trio No. 2, the Impromptus, Op. 142, the Fantasy for violin and piano and some 30 other works.
Some of Op. 28 was written during Chopin and George Sand's stay at a monastery in Valldemossa, Mallorca in 1838. [2] In her Histoire de ma vie, or "Story of My Life", Sand related how one evening she and her son Maurice, returning from Palma in a terrible rainstorm, found a distraught Chopin who exclaimed, "Ah!