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On Rotten Tomatoes the film has an approval rating of 22% base on reviews from 9 critics. [1]Emanuel Levy wrote: "A highlight of 1997 Slamdance Film Fest, this raunchy romantic comedy has a nice premise—a Romeo who won't take no as an answer--but no narrative or plot to speak of, though two leads are charming and Keri Russell shows potential to become a star."
Eight Days to Live is a 2006 television film produced by CTV about a mother who organizes a search and rescue for her son who drives off the road in the Lytton area of the Fraser Canyon of British Columbia. It is based on the true story of nineteen year old Joe Spring who spent eight days trapped inside his red sports car.
For JumpCut Online, Nguyen Le said the film has "the style, the startles and the sight to certify deeper currents" despite an overly rapid pacing and average English subtitling work that can cause details to be lost. He ended his 3.5/5 review by saying this is a film "you should, at least once, give the time of day to." [20]
‘Sauna’ Review: A Gay Man Sees Queer Life Through Another Lens in a Sensitive Danish Drama The Copenhagen sauna and sex club where Johan (Magnus Juhl Andersen) works is called Adonis, and he ...
On Rotten Tomatoes, the film has an approval rating of 56% based on 79 reviews with an average rating of 5.80/10. The site's critical consensus reads, "Four Good Days struggles to bring authenticity to its tragic source material and strands its talent in a bland melodrama."
The Beatles: Eight Days a Week—The Touring Years grossed $2.9 million in the U.S. and Canada and $9.4 million in other territories, including $1.4 million in the UK, for a worldwide total of $12.3 million. [1] In the film's opening weekend in North America, it made $785,336 from 85 theatres, for an average of $9,239. [8]
“One of Them Days,” starring Keke Palmer and SZA as fast-talking, flat-broke Los Angeles roommates who have nine hours to come up with the rent money, is a winning throwback to the kind of day ...
For a movie billed as a relationship comedy — or rather, a “situationship” comedy, as modern-day dating arrangements go — writer-director Sophie Brooks’ “Oh, Hi!” starts off rather ...