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The linear part of the conventional gamma curve was used to limit camera noise in low light video but is no longer needed with HDR cameras. [29] HLG is supported in Rec. 2100 with a nominal peak luminance of 1,000 cd/m 2 and a system gamma value that can be adjusted depending on background luminance. [5] [30]
Macro or close-up modes tend to direct the camera's focus to be nearer the camera. They may shrink the aperture and restrict the camera to wide-angle in an attempt to broaden the depth-of-field (to include closer objects) – this last mode of operation is often known as Super Macro. Movie mode allows a still camera to take moving pictures.
Sony α6300 - APS-C camera with internal 4K recording up to 100 Mbit/s. The camera uses a 20 MP (6K) region of the sensor to offer 2.4× oversampled 4K video with full pixel readout, and no pixel binning. Sony α6400; Sony α6500; Sony α6600; Sony α6700; Sony α1; Sony α1 II; Sony α7 III; Sony α7 IV; Sony α7C; Sony α7C II; Sony α7CR
The iPhone 7 Plus included a main 12 MP camera along with a 12 MP telephoto camera which allowed for 2x optical zoom and Portrait Mode for the first time in a smartphone. In early 2018 Huawei released a new flagship phone, the Huawei P20 Pro, with the first triple camera lens setup.
This is a list of smartphones with a telephoto lens that offers a focal length (35mm equivalent) of at least 100mm or "4× optical zoom" with an imaging area equivalent to a 1/3.5″ or larger sensor. Smartphone lenses are often marketed in terms of "optical zoom" [1] relative to the phone's main camera. For example, 120mm is usually referred ...
Different kinds of camera lenses, including wide angle, telephoto and speciality. A camera lens (also known as photographic lens or photographic objective) is an optical lens or assembly of lenses (compound lens) used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically.
The ability of a lens to resolve detail is usually determined by the quality of the lens, but is ultimately limited by diffraction.Light coming from a point source in the object diffracts through the lens aperture such that it forms a diffraction pattern in the image, which has a central spot and surrounding bright rings, separated by dark nulls; this pattern is known as an Airy pattern, and ...
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...