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Swordsmanship or sword fighting refers to the skills and techniques used in combat and training with any type of sword. The term is modern, and as such was mainly used to refer to smallsword fencing , but by extension it can also be applied to any martial art involving the use of a sword.
Iaijutsu is a combative sword-drawing art but not necessarily an aggressive art because iaijutsu is also a counterattack-oriented art. Iaijutsu technique may be used aggressively to wage a premeditated surprise attack against an unsuspecting enemy.
Kenjutsu (剣術) is an umbrella term for all schools of Japanese swordsmanship, in particular those that predate the Meiji Restoration.Some modern styles of kendo and iaido that were established in the 20th century also included modern forms of kenjutsu in their curriculum. [1]
Many iaido organisations promote sword technique from the seiza (sitting position) and refer to their art as iaido. One of the popular versions of these is the Musō Shinden-ryū 夢想神伝流, an iaido system created by Nakayama Hakudō (1872–1958) in 1932. [33]
The basic technique is to hold the sword in a high version of hasso-no-kamae called tonbo-no-kamae (蜻蛉構 Dragonfly Stance), with the sword held vertically above the right shoulder. The attack is then done by running forward at your opponent and then cutting diagonally down on their neck.
Hyohō Niten Ichi-ryū (兵法 二天 一流), which can be loosely translated as "the school of the strategy of two heavens as one", is a koryū (ancient school), transmitting a style of classical Japanese swordsmanship conceived by Miyamoto Musashi.
Battōjutsu (抜刀術, battō-jutsu, 'craft of drawing out the sword') is an old term for iaijutsu (居合術). Battōjutsu is often used interchangeably with the terms iaijutsu and battō (抜刀). [1] Generally, battōjutsu is practiced as a part of a classical ryū and is closely integrated with the tradition of kenjutsu.
The curriculum of Mugai-ryū consists of 10 techniques with a long sword and 3 techniques with a short sword. [3] Later, the techniques for duels (shiaiguchi 試合口) were also added. An analysis of the techniques present in Mugai-ryū shows a clear influence of Ittō-ryū, so either the Yamaguchi-ryū studied by Tsuji was a derivation of ...