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The style of dance is commonly known to modern scholars as the French noble style or belle danse (French, literally "beautiful dance"), however it is often referred to casually as baroque dance in spite of the existence of other theatrical and social dance styles during the baroque era.
The Baroque period was a golden age for theatre in France and Spain; playwrights included Corneille, Racine and Molière in France; and Lope de Vega and Pedro Calderón de la Barca in Spain. During the Baroque period, the art and style of the theatre evolved rapidly, alongside the development of opera and of ballet.
Opéra-ballet (French: [ɔ.pe.ʁa.ba.lɛ]; plural: opéras-ballets) [1] is a genre of French Baroque lyric theatre that was most popular during the 18th century, [2] combining elements of opera and ballet, [3] "that grew out of the ballets à entrées of the early seventeenth century". [4]
In the Baroque era, after the Academie de Dance was established by Louis XIV in 1661, [3] the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step [ 4 ] characteristic of the dance , a rapid movement of the feet while en pointe or demi-pointe, and so to the ...
Furlana – Fast Venetian folk dance with lively tempo and rhythm. Galliard – Spirited dance in triple meter. Gavotte – French folk dance in quadruple meter, often with a moderate to quick tempo, and with a characteristic half-bar upbeat. Gigue – Lively baroque dance originating from the British jig, typically in compound meter.
Ballet is a French word which had its origin in Italian balletto, a diminutive of ballo (dance) which comes from Latin ballo, ballare, meaning "to dance", [1] [2] which in turn comes from the Greek "βαλλίζω" (ballizo), "to dance, to jump about". [2] [3] The word came into English usage from the French around 1630.
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Richard Wagner's Bayreuth Festival Theatre.. A wide range of movements existed in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas ...