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Its lyrics refer to the cheap handguns popularly associated with the term Saturday night special, and associates them with impulsive violence.Each of the three verses presents a different example: a man shooting another man in bed with his cheating wife; a poker player killing his friend after accusing him of cheating; and accidentally shooting oneself while intoxicated.
The meaning is that something undesirable is going to happen again and that there is not much else one can do other than just endure it. The Log, the humour magazine written by and for Midshipmen at the United States Naval Academy, featured a series of comics entitled "The Bohica Brothers", dating back to the early 1970s. [citation needed]
In the 2000s, a new joint service handgun was started, the Joint Combat Pistol, which was the result of a merger of two earlier programs: the U.S. Army's Future Handgun System [23] and United States Special Operations Command's SOF Combat Pistol. However, the Army ultimately pulled out of the competition.
The song was covered by Alex Beaton and featured on his Live in Concert album, released in 2012. [3] The song was covered by American folk-punk band Mischief Brew on a 7-inch split released in 2013. [4] The Bristolian folk group The Longest Johns released a rendition of the song in 2020. [5]
"19" is a song by British musician Paul Hardcastle, released as the first single from his self-titled fourth studio album Paul Hardcastle (1985). The song has a strong anti-war message, focusing on the United States' involvement in the Vietnam War and the effect it had on the soldiers who served. The track was notable for early use of sampled ...
The song was written in 1943 and was introduced by Dorothy Lamour in the Paramount musical comedy film And the Angels Sing (1944). [1] A recording by Jo Stafford made on December 13, 1943, was released by Capitol Records as catalog number 158. [2] It reached the Billboard Best Seller chart on September 21, 1944, at number 10, its only week on ...
"Tomorrow Belongs to Me" is a song from the 1966 Broadway musical Cabaret, and the 1972 film of the same name, sung primarily by a Nazi character. It was written and composed by two Jewish musicians – John Kander and Fred Ebb – as part of an avowedly anti-fascist work; the nationalist character of the song serves as a warning to the musical's characters of the rise of Nazism.
Liam Howlett has since disowned the song. [4] Despite its apparently low popularity, the song reached the top five of the Canadian Singles Chart and UK Singles Chart. [5] [6] It was intended to be released as a single from the then-upcoming album. Eventually, the group went in another direction, and the plan to include the song on the album was ...