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Jean-Baptiste Lully [a] (28 November [O.S. 18 November] 1632 – 22 March 1687) was a French composer, dancer and instrumentalist of Italian birth, who is considered a master of the French Baroque music style.
Psyché is a five-act tragédie-ballet, originally written as a prose text by Molière and versified in collaboration with Pierre Corneille and Philippe Quinault, with music composed by Jean-Baptiste Lully in 1671 and by Marc-Antoine Charpentier in 1684 (music lost).
Jean-Baptiste Lully is considered the most important composer of music for ballet de cour and instrumental to the development of the form. During his employment by Louis XIV as director of the Académie Royale de Music , he worked with Pierre Beauchamp , Molière , Philippe Quinault and Mademoiselle De Lafontaine to develop ballet as an art ...
Perhaps one of the most influential men on ballet during the seventeenth century was Jean Baptiste Lully. Lully was born in Italy, but moved to France where he quickly became a favorite of Louis XIV and performed alongside the king in many ballets until the king's retirement from dance in 1670. [3]
Molière, Lully and Beauchamp collaborated on several more examples of comédie-ballet, culminating in the masterpiece of the genre, Le Bourgeois gentilhomme, in 1670, and the scenically spectacular Psyché of January 1671, a tragicomédie et ballet which went well beyond the earlier examples of the genre.
In 1647, Jean-Baptiste Lully was brought to Paris from his native Florence to be in the service of La Grande Mademoiselle. In early 1653, he caught the attention of Louis XIV, who named him court composer for instrumental music. Under Lully, music became not simply entertainment, but an expression of royal majesty and power. [19]
It was directly due to Charles II's patronage that English language opera, which had briefly surfaced in the 1650s, was re-established in the 1670s. [7] In 1673, Thomas Shadwell's Psyche, patterned on the 1671 'comédie-ballet' of the same name produced by Molière and Jean-Baptiste Lully, marked the revival of the genre. [2]
The music was composed by Jean-Baptiste Lully, the choreography was by Pierre Beauchamp, the sets were by Carlo Vigarani, and the costumes were created by the chevalier d’Arvieux. Lully notably took a role himself on stage in the work's première, portraying a physician in the dance of the enemas. [2] (Molière regularly performed in his own ...