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Kimkhwab (Kim-Khwab, kamkhāb, ḳamkhwāb, Kimkhwab, Hiranya, puspapata) is an ancient Indian brocade art of weaving ornate cloth with gold, silver, and silk yarns. Kinkhwab is a silk damasked cloth with an art of zar-baft (making cloth of gold), [1] The weave produces beautiful floral designs that appear embroidered on the surface of the fabric. it was also known as puspapata or cloth with ...
Himroo is a replication of Kinkhwab, which was woven with pure golden and silver threads in former times, and was meant for the royal families. Himroo uses Persian designs, and is very characteristic and distinctive in appearance.
Silk merchants in the 19th century Weaving silk in Khotan, on the 'Southern Silk Road' 2011. Recent archaeological discoveries in Harappa and Chanhudaro suggest that sericulture, employing wild silk threads from native silkworm species, existed in South Asia during the time of the Indus Valley civilisation dating between 2450 BC and 2000 BC.
Each panel of cloth is then stretched over a loom and templates of verses from the Quran (Arabic: اَلْقُرْآنُ or ٱلۡقُرۡءَانُ) and Islamic ornamental patterns are applied using silk screens. Embroidered decorative elements, Quranic verses, and prayers are hand-embroidered by Saudi artisans using gold and silver thread.
The traditional clothing for the lower region is the khat partug which is a shalwar kameez combination and is worn by men and women. The khat (also called khattaki or in Marwat Pashtu, kamis) [1] is the shirt which fits closely to the body to the waist and then flares out, either to the knees, or in the case of women, to the ankles.
Mashru (also historically spelled mashroo, misru, mushroo or mushru) is a woven cloth that is a blend of silk and cotton. It was historically a hand-woven satin silk fabric variety found in the Indian subcontinent , and its proper use is described in the 16th-century Ain-i-Akbari .
The table consists of a stout framework of wood or iron supporting a thick slab of stone varying in size according to the width of cloth to be printed. Over the stone table top a thick piece of woolen printers blanket is tightly stretched to supply the elasticity necessary to give the block every chance of making a good impression on the cloth.
The embroidered cloth has many uses including shawls, covers for mirrors, boxes, and pillows. In some cases, the entire cloth is covered with running stitches, employing beautiful motifs of flowers, animals, birds and geometrical shapes, as well as themes from everyday activities. The stitching on the cloth gives it a slightly wrinkled, wavy ...