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The strings of the guitar are tuned two whole steps lower than standard tuning. The resulting notes can be described most commonly as C-F-A♯-D♯-G-C or C-F-B♭-E♭-G-C. This is not to be confused with C ♯ tuning, which is one and one half steps lower than standard tuning. The tuning is commonly used by metal and hard rock artists to ...
Many of the notes from the harmonic sequence for C appear in the new standard tuning (NST), [11] which is a nearly regular tuning based on perfect fifths; NST also has (D,A) from the pentatonic scale on C: C-G-D-A-E-G. NST is used in Guitar Craft (a school of guitar playing founded by King Crimson's Robert Fripp). The open-C overtones tuning ...
The English guitar used a repetitive open C tuning (with distinct open notes C–E–G–C–E–G) that approximated a major-thirds tuning. [26] This tuning is evident in William Ackerman's song "Townsend Shuffle", as well as by John Fahey for his tribute to Mississippi John Hurt. [31] [32]
The C-C-G-C-E-G tuning uses the harmonic sequence (overtones) of the note C. When an open-note C-string is struck, its harmonic sequence begins with the notes (C,C,G,C,E,G,B♭,C). [3] [4] This overtone-series tuning was modified by Mick Ralphs, who used a high C rather than the high G for "Can't Get Enough" on Bad Company. Ralphs said, "It ...
Overtones tunings for guitar select their six open-notes from the initial nine partials (harmonics) of the overtones sequence. The first eight partials on C, (C,C,G,C,E,G,B ♭,C), are pictured. Play simultaneously ⓘ Among alternative tunings for the guitar, an overtones tuning selects its open-string notes from the overtone sequence of a ...
C or Do is the first note of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz.
having six semitones in its interval, augmented-fourths tuning repeats its notes after two (12/6) strings. Regular tunings have symmetrical scales all along the fretboard. This makes it simpler to translate chords into new keys. For the regular tunings, chords may be moved diagonally around the fretboard.
If the notes G ♯ and E ♭ need to be sounded together, the position of the wolf fifth can be changed. For example, a C-based Pythagorean tuning would produce a stack of fifths running from D ♭ to F ♯, making F ♯-D ♭ the wolf interval. However, there will always be one wolf fifth in Pythagorean tuning, making it impossible to play in ...