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"409" was inspired by Gary Usher's obsession with hot rods. [4] Its title refers to an automobile fitted with Chevrolet's 409-cubic-inch-displacement "big block" V-8 engine. [ 3 ] The song's narrator concludes with the description "My four speed , dual- quad , positraction four-oh-nine."
Hot rod music was largely a product of a number of surf music groups running out of ideas for new surfing songs and simultaneously shifting their lyrical focus toward hot rods. Hot rod music would prove to be the second phase in a progression known as the California Sound, which would mature into more complex topics as the decade passed. Hot ...
A car song is a song with lyrics or musical themes pertaining to car travel. Though the earliest forms appeared in the 1900s, car songs emerged in full during the 1950s as part of rock and roll and car culture, but achieved their peak popularity in the West Coast of the United States during the 1960s with the emergence of hot rod rock as an outgrowth of the surf music scene.
"Hot Rod Lincoln" is a song by American singer-songwriter Charlie Ryan, first released in 1955. It was written as an answer song to Arkie Shibley 's 1950 hit " Hot Rod Race " (US #29). It describes a drive north on US Route 99 (predecessor to Interstate 5 ) from San Pedro, Los Angeles , and over " Grapevine Hill " which soon becomes a hot rod ...
The two and a half ton Ford trucks got a 279 cu in (4.6 L) version of the 317 engine. In the song "Hot Rod Lincoln", the engine referred to in the original lyrics was a Lincoln V12 not mentioned in the Commander Cody version. [23] Vehicles used Lincoln (EL-series) Lincoln Cosmopolitan; Ford F-Series (medium duty truck)
Tailfins gave a Space Age look to cars, and along with extensive use of chrome became commonplace by the end of the decade. 1950s American automobile culture has had an enduring influence on the culture of the United States, as reflected in popular music, major trends from the 1950s and mainstream acceptance of the "hot rod" culture. The American manufacturing economy switched from producing ...
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The three unreleased songs were "Wiameah Bay", an instrumental by the Wrecking Crew, and two Rip Chords hot-rod songs ("Sting Ray" and "XKE") which had been in Columbia's vault since 1965. The fourth song was "Red Hot Roadster", originally scheduled for release as a single but instead appearing on the soundtrack of 1965's A Swingin' Summer. [41]