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Late in her life, Taylor was forced to retire due to her failing health. She then earned income through quilting, using the skirts of dresses to create pieced quilts. Taylor garnered more interest in her appliquéd quilts after Pecolia Warner's quilts were the subject of University of Mississippi professors academic interest in the 1970s. [1]
Hystercine Rankin (September 11, 1929 - February 10, 2010) [1] [2] was an African-American quilter from Mississippi. Several of her quilts are held in the permanent collections of the American Folk Art Museum, [3] the Mississippi Museum of Art, the Mississippi Department of Archives and History, [4] and the San Jose Museum of Quilts and Textiles.
Stella Mae Pettway, who has sold her quilts on Etsy for $100 to $8,000, has characterized having scissors and access to more fabrics now as a paradox of “advantage and a disadvantage.”
The style of these quilts was determined largely by time period and region, rather than race, and the documented slave-made quilts generally resemble those made by white women in their region. [8] After 1865 and the end of slavery in the United States, African-Americans began to develop their own distinctive style of quilting.
Quilts were frequently made to commemorate major life events, such as marriages. Fundraising quilt. Quilts were often made for other events as well, such as graduations, or when individuals left their homes for other communities. One example of this is the quilts made as farewell gifts for pastors; some of these gifts were subscription quilts.
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