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The enormous success of 17th-century Dutch painting overpowered the work of subsequent generations, and no Dutch painter of the 18th century—nor, arguably, a 19th-century one before Van Gogh—is well known outside the Netherlands. Already by the end of the period artists were complaining that buyers were more interested in dead than living ...
Active painters are therefore underrepresented, while more than half of the artists are baroque painters of the 17th century, roughly corresponding to the Dutch Golden Age. The names of older artists often have many different spellings; the preferred spelling is used as listed in the Netherlands Institute for Art History [4] database, but ...
Dutch Golden Age painting was among the most acclaimed in the world at the time, during the seventeenth century. During the Dutch Golden Age, there was such a high output of paintings that prices for artwork declined. From the 1620s, Dutch painting broke decisively from the Baroque style typified by Rubens in neighboring Flanders into a more ...
The 17th century was a period dominated by the distinct individuals Peter Paul Rubens in the Southern Netherlands and Rembrandt van Rijn in the newly independent Dutch Republic. [3] Dutch and Flemish painters both followed many of the same themes, including still life, genre, landscape, portraiture and classicism.
Although landscape paintings were popular in seventeenth-century Dutch art, the depiction of a specific industry and its connection with a particular place was relatively rare at the time. [1] Ruisdael was the one to popularize the painting of such landscape views of Haarlem, including the industry that the town was known for. [1]
The Dutch title of the painting is the bird's nickname, puttertje, which refers to this custom and is a diminutive equivalent to "draw-water", an old Norfolk name for the bird. [8] [10] The goldfinch frequently appears in paintings, not just for its colourful appearance but also for its symbolic meanings.
Although many artists fled the religious wars and moved from the Southern Netherlands to the Dutch Republic (see Dutch Golden Age painting), Flemish Baroque painting flourished, especially in the Antwerp school, during the seventeenth century under Rubens, Anthony van Dyck, and Jacob Jordaens.
The term "Dutch Golden Age" became a source of controversy during the 21st century due to the extensive Dutch involvement in slavery during this period; approximately 1.7 million people were enslaved by Dutch slavers from the 17th to 19th centuries as part of the Atlantic and Indian Ocean slave trades. [36]