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The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
An oboist (formerly hautboist) is a musician who plays the oboe or any oboe family instrument, including the oboe d'amore, cor anglais or English horn, bass oboe and piccolo oboe or oboe musette. The following is a list of notable past and present professional oboists, with indications when they were/are known better for other professions in ...
Unlike Bach's other harpsichord concertos, BWV 1055 has no known precursors, either as an instrumental concerto or as a movement with obbligato organ in a cantata. It has generally been accepted that it is a reworking of a lost instrumental concerto, since Donald Francis Tovey first made the suggestion in 1935, when he proposed the oboe d'amore as the melody instrument.
A Liebesfuss or Liebesfuß (German: [ˈliːbəsfuːs]; lit. ' love foot '; French: pavillon d'amour) is a pear- or bulb-shaped element that narrows to a small opening in double reed instruments such as the oboe d'amore, cor anglais and heckelphone, [1] as well as on some single reed instruments.
The woodworking is done with the help of CNC machines, while the hand-made key work is manufactured in-house. [4] About 75% of the manufacturing is done by hand. [1] Oboes are made in student, semi-professional and professional grades, and the oboe d'amore, cor anglais, and oboe musette in E♭ are also produced.
That it was an oboe d'amore was proposed in 1936 by Donald Tovey, [39] in 1957 by Ulrich Siegele, [35] in 1975 by Wilfried Fischer, [40] and in 2008 by Pieter Dirksen. [36] Alternatively, Wilhelm Mohr argued in 1972 that the original was a concerto for viola d'amore. [ 41 ]