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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The Last Supper has been a popular subject in Christian art. [1] Such depictions date back to early Christianity and can be seen in the Catacombs of Rome. Byzantine artists frequently focused on the Apostles receiving Communion, rather than the reclining figures having a meal. By the Renaissance, the Last Supper was a favorite topic in Italian ...
"The ‘Last Supper’ and the Pinacoteca di Brera receive 1 million visitors a year, and take in more than 10 million euros ($10.5 million) in revenue," said Crespi.
The painting was also exposed to the steam and smoke from the convent's kitchen and from candles used in the refectory itself. [12] By 1582, it was recorded that The Last Supper was "in a state of total ruin." [12] Around 1652, a door was cut into the refectory wall, destroying the area in which Jesus's feet were depicted. [13]
Art historians pointed out that the scene is not a parody of “The Last Supper” but rather inspired by “The Feast of the Gods,” a 17th century painting of the Greek Olympian gods, by Jan ...
Marcos Zapata (c. 1710–1773), also called Marcos Sapaca Inca, was a Peruvian painter, known for combining Christian stories with indigenous culture. The most famous example being The Last Supper (c.1753), which represents the famous New Testament story, but with the incorporation of Andean foods such as Cuy. [1]
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