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Utopia is an American film production, distribution and sales agency founded in 2018, by Robert Schwartzman and Cole Harper. The company is best known for releasing films Mickey and the Bear (2019), Bloody Nose, Empty Pockets (2020), Shiva Baby (2021), Vortex (2021), We're All Going to the World's Fair (2022), and Sharp Stick (2022).
Utopia is an American science fiction drama television series created by Gillian Flynn based on the 2013 British original series of the same name. It was released on September 25, 2020, on the Amazon Prime Video streaming service. [1] In November 2020, the series was canceled after one season of eight episodes. [2]
Rink competed successfully as a submission style wrestler for several female wrestling video organisations including Premier production and Utopia entertainment. She wrestled both women and men, her matches including a victory over fellow IFBB competitor Pavla Brantalova from the Czech Republic . and defeating rival fitness model Karen Konyha
Utopia has acquired U.S. rights to acclaimed director Alex Ross Perry’s (“Her Smell,” “Listen Up Philip”) “Pavements,” the day after its world premiere at the Venice Film Festival.
Utopia has acquired the North American rights to the Cannes Film Festival’s Un Certain Regard New Voice Prize winner “Omen,” the debut feature from artist-musician turned director Baloji.
New York- and Los Angeles-based film distribution and sales company Utopia has acquired the worldwide rights to “Trilogy: New Wave,” one of the most highly-anticipated surf films of the decade.
Deface the Music is the fifth studio album by the band Utopia. The concept of the album was to pay homage to the Beatles and create songs which sounded very similar to the Fab Four's tunes throughout the various stages of their career. Their song "Take It Home", replete with guitar riff, is their homage to "Day Tripper".
Utopia has acquired Participant’s feature documentary “Unseen Skies,” which the U.S. distributor will release on Sept. 13. Directed by award-winning filmmaker Yaara Bou Melhem, “Unseen ...